top_tabs University of Alabama College of Arts and Sciences

 

FOR IMMEDIATE RELEASE

Tuscaloosa, AL – The University of Alabama College of Arts & Sciences School of Music presents a guest recital featuring Rebecca Turner, soprano on Saturday, August 28, 2010 at 2:00 p.m. in the Concert Hall of the Moody Music Building on the campus of The University of Alabama. The program will include “Per la gloria d’adorarvi” from Griselda by Giovanni Bononcini, “Amarilli, mia bella” from Le Nuove Musiche by Giulio Caccini, “Caro mio ben” by Tommaso Giordani, “Le Violette” from Pirro e Demetrio by Allesandro Scarlatti, Wesendonk Lieder by Richard Wagner, “Deep River,” “Give Me Jesus,” “The Water is Wide,” and “Simple Gifts arranged by Mark Hayes, “Chanson triste,” “Le manoir de Rosemonde,” and “Phidylé” by Henri Duparc, and “To This We’ve Come” from The Consul by Gian-Carlo Menotti. She will be accompanied by Mildred Roche. Turner will also hold a master class in the Choral Opera Room on Sunday, August 29, 2010 at 3:00 p.m. Both events are FREE and open to the public.  For more information visit: www.music.ua.edu/calendar or call 348-7111.

Soprano Rebecca Turner, a former member of the Deutsche Oper am Rhein in Düsseldorf, Germany, came to singing by way of the piano. She holds a Bachelor of Music degree in Piano Performance and Pedagogy from Shorter College in Rome, Georgia, as well as a Master of Music degree in Piano Performance and Accompanying from the University of North Texas in Denton. Upon completing her studies in Denton, Ms. Turner began vocal training in order to become better equipped as a vocal coach. This led her back to Shorter College for a Vocal Performance Degree and after four short years of study, she landed her first professional contract as a member of the solo ensemble with the opera company of Bremen, Germany. She performed there for four years before moving to Düsseldorf.

With over 500 performances to date, Ms. Turner’s repertoire is extensive, including the lead-soprano roles in such operas as Der fliegende Holländer, Lohengrin, Die Meistersinger von Nürnberg, Der Freischütz, Aida, Il Trovatore, La Forza del Destino, Simon Boccanegra, Turnadot, Madama Butterfly, La Boheme, La Gioconda, I Pagliacci, Cavalleria Rusticana, Eugene Onegin, Dialogues of the Carmelites and Peter Grimes. In addition to Düsseldorf, she has performed in many other European opera houses, including Bremen, Frankfurt, Cologne, Hannover, Mannheim, Wiesbaden, Darmstadt, Dortmund, Kiel, Münster, Graz, Basel, as well as the Shanghai Grand Theater in Shanghai, China, where she was the first soprano in China’s history to perform a Wagner opera. A versatile artist, Ms. Turner also performs frequently in chamber music concerts throughout the United States, most recently as a guest-artist with the American Chamber Players at The Friends of Chamber Music of Denver, Colorado; The Bach Festival Society of Winter Park, Florida; The Friends of Music at Queens, Charlotte, North Carolina; and The Utsey Chamber Music Series of Clemson, South Carolina. Her concert repertoire includes Verdi’s Requiem, Beethoven’s Ninth Symphony, Mozart’s Requiem, Bruckner’s Te Deum, Dvorak’s Requiem, Mahler’s Rückertlieder and Lieder eines fahrenden Gesellen, Strauss’s Vier letzte Lieder, Vaughan Williams’ Hodie and Wagner’s Wesendoncklieder. Recital venues have included the United States, Austria, France, Germany, Ireland, Mexico, and Northern Ireland.

In the 2008-2009 and 2009-2010 seasons, Rebecca Turner presented many recitals and master classes, most recently in Dublin, Ireland and Belfast, Northern Ireland; the University of Texas Brownsville; and the Escuela Superior de Musica in Matamoros, Mexico. In the 2006-2007 and 2007-2008 seasons, along with numerous recitals and master classes, she was the soprano soloist in a Christmas Gala performance with the Pittsburgh Symphony Orchestra as well as Brahms’s Requiem with the Tacoma Symphony Orchestra of Tacoma, Washington. She was also heard in concert performing Duparc songs with the West Virginia University Symphony Orchestra and as soprano soloist in Dubois’ The Seven Last Words of Jesus Christ at Bethany College in Bethany, West Virginia. In June of 2008, she was a Guest Artist and Master Class Clinician for the Saltnotes Stageworks Festival at Indian Head, Maryland, and during the summer of 2004, she was the Music Director and Assistant Stage Director for productions of Copland’s The Tender Land and Britten’s Noye’s Fludde for the Shenandoah Performs Arts Festival at the Shenandoah Conservatory in Winchester, Virginia. Ms. Turner’s students have sung with major opera companies around the world, including those of Berlin, Leipzig, Hannover, Brussels, and Strassbourg, as well as the New York City Opera, Des Moines Opera, Tulsa Opera, and Utah Summer Opera Festival. In 2002 and 2003 she served on the voice faculty of the Lutheran Summer Music Academy and Festival, a summer training institute sponsored by the Lutheran Music Program in Minneapolis, Minnesota. She was Visiting Instructor of Voice at Howard Payne University in Brownwood, Texas for the spring of 2004, Associate Adjunct Professor of Voice for the 2004-2005 academic year at the Shenandoah Conservatory of Shenandoah University in Winchester, Virginia, Associate Professor of Voice at West Virginia University in Morgantown from 2005-2007, and is currently Associate Professor of Voice and Director of Opera at Converse College in Spartanburg, SC.

Category: News

Tuscaloosa, AL – The University of Alabama College of Arts & Sciences School of Music presents a faculty recital featuring Paul Houghtaling, bass-baritone on Tuesday, August 24, 2010 at 7:30 p.m. in the Concert Hall of the Moody Music Building on the campus of The University of Alabama. The program will include “Caro mio ben,” by Tommaso Giordani, selections from G.F. Handel’s Partenope, three selections from Henri Duparc, “Pastorale” by Camille Saint-Saëns, “Colloque” by Francis Poulenc, “Puisqu’ici-bas toute âme” by Gabriele Fauré and several American songs on American poets. He will be accompanied by UA Instructor of Piano Kevin Chance. The concert is FREE and open to the public.  For more information visit: www.music.ua.edu/calendar or call 348-7111.

Paul Houghtaling, bass-baritone, joined the University of Alabama faculty in the fall of 2007 as Assistant Professor of Voice and Director of Opera Theatre. Career highlights include European tours as Papageno in Die Zauberflöte with Teatro Lirico d’Europa (“…an extraordinary Papageno of comic sensitivity, naivete and tenderness, served by a superb voice and a remarkable physical agility.” Salon de Provence); a debut with the Bard Music Festival and the American Symphony Orchestra in Haydn’s L’Infedeltá Delusa (“…revealed a striking and flexible baritone.” Opera News); Peter Maxwell Davies’ Eight Songs for a Mad King with ALEA III in Boston (“…singing forcefully, in eerie falsetto highs and chesty baritonal lows … the Davies sent you home stunned.” The Boston Globe); Mozart’s Requiem with St. Cecilia Chorus at Carnegie Hall; works of Bach with the Orchestra of St. Luke’s “Bach Cantatas in Context” Series, American Classical Orchestra, Amor Artis Baroque Orchestra, and others; United States tours with the Waverly Consort, including Kennedy Center appearances, and Early Music New York; “Opera Buffa: Comedy On Stage” on Lincoln Center’s “Meet the Artists” series; and his acclaimed Gilbert & Sullivan interpretations with the Anchorage, Cedar Rapids, Central City, Knoxville, Lake George, and Nashville Operas, among other opera companies and orchestras throughout the U.S.  Upcoming in 2010-2011 is soloist in Bach’s Christmas Oratorio at Carnegie Hall with St. Cecilia Chorus, stage director for Mobile Opera’s production of Candide, and performances at the National Opera Association National Convention in San Antonio, Texas.

The 2009-2010 season included recitals in Birmingham (Cathedral Church of the Advent Mid-Day Music Series), and Mobile (Mobile Music Teachers Association), and a return to the College Music Society National Conference in Portland, OR in a recital presentation of music of Virgil Thomson. In January 2010, Professor Houghtaling and several student members of the Opera Theatre represented UA as finalists in the National Opera Association’s (NOA) Collegiate Opera Scenes Competition at that organization’s national convention in Atlanta, GA.  The 2008-2009 season brought him to Iowa for a recital for the Des Moines Symphony Academy, and to Atlanta for a performance presentation on the College Music Society (CMS) National Conference.  In the 2007-2008 season Professor Houghtaling was soloist in Bach’s Christmas Oratorio with St. Cecilia Chorus under David Randolph at Carnegie Hall and sang Sir Joseph in H.M.S. Pinafore with Nashville Opera. He also directed The Gondoliers for the young artists program of Cedar Rapids Opera Theatre in Iowa, and was guest director for the Caldwell College Summer Opera Workshop in New Jersey.  He returned to Cedar Rapids in 2009 to direct Cosí fan tutte (“Grand entertainment … staged brilliantly by Paul Houghtaling …”, Cedar Rapids Gazette).  Additional stage directing credits include Telemann’s Der Schulmeister for both the Long Island Baroque Ensemble and Anchorage Opera’s “Second Stage” series, Shall We Dance: Great Duets from Broadway for the Abilene Philharmonic under Shinik Hahm, Café d’Amour, a new musical-theater/dance work for the Alaska Dance Theater, and a variety of opera scenes and orchestral pops programs.  Productions at Alabama have included The Merry Widow, Pagliacci, Suor Angelica, Hoiby’s Bob Apetit!, Heggie’s At the Statue of Venus and The Gondoliers.

Houghtaling is a frequent studio artist with Philip Glass and Looking Glass Studios and can be heard as a featured vocalist on Glass’s soundtrack to Reggio’s film Naqoyqatsi on the SONY label, and as the Laughing Sun in the Glass/Beni Montresor collaboration, The Witches of Venice, recorded for Euphorbia. Mr. Houghtaling has also created roles in numerous new theater and opera works including the title role in William Harper’s El Greco for the Off-Broadway Intar Theater, and a series of new works for Greek National Television on the Iraklion Festival.  Mr. Houghtaling has also performed with the Boston Early Music Festival, Clarion Music, Early Music New York (U.S. tours), My Lord Chamberlain’s Consort, Folger Consort in Washington, Billings Symphony, and the Mark Morris Dance Company production of Dido & Aeneas.  He can be heard on the New World, Waverly, Balkanton, EMI, Euphorbia, Albany Records and Prospect Classics labels. Mr. Houghtaling is represented by Martha Wade, Wade Artist Management, New York.

Category: News

FOR IMMEDIATE RELEASE

TUSCALOOSA – With two performances on September 9 and September 10, 2010,  veteran classic rock band KANSAS will team up with the Huxford Symphony Orchestra of The University of Alabama. Inspired by the success of their 2009 StarCity Recording DVD/CD release ‘There’s Know Place Like Home’ – which saw KANSAS team up for a special night with the Washburn University Orchestra – the group decided to take this idea on the road. The feedback that KANSAS drummer Phil Ehart received from prospective universities has been overwhelmingly supportive in their desire to bring the concept to their campuses.

“We started by cold-calling schools all over the country to find out if there was interest in us coming to play with their orchestras. We immediately discovered that most schools have no money for their music programs. We then thought of performing the shows as fundraisers, helping to raise funding for the school’s music programs. As we started talking to the schools, we found out that many of them don’t even have a place on campus for a school symphony concert…but they do have an 80,000 seat football stadium! I had one school music director actually break down emotionally on the phone with me – he was very distraught that this might be his school’s last year with a music program. He thought this concert might actually save the music
program for another year!

The result is the ‘KANSAS Collegiate Symphony Tour.’ With performances booked throughout September and October, the group will be joined by
each respective college’s symphony, conducted by Larry Baird, for what promises to be a truly unforgettable evening of powerful rock music. “These
will be full-blown concerts with pro lights and sound,” adds Ehart. “KANSAS prides itself in performing first class shows no matter what the venue. Our college tour will showcase KANSAS and each school’s orchestra in the best possible manner.”

As the presenting sponsor, D’Addario & Company, Inc., is joining KANSAS in their objective to raise funds for college and university music programs. D’Addario, the world’s largest musical products accessory manufacturer, brings products to market under the brand names D’Addario; Planet Waves;
Rico Reeds; and Evans/PureSound/HQ percussion products.

“Receiving the support of D’Addario seemed like such a natural tie-in,” comments Ehart. “Most of us in the band use their gear, and I know you’ll find their products on college campuses across the country.”

“We are so excited to be part of ‘KANSAS Collegiate Symphony Tour,” offers David Via, VP of D’Addario & Company. “The experience and memories that these schools and their students will have from these concerts will last a lifetime. Financially, the D’Addario Foundation will be providing music scholarships to each school’s music department, while D’Addario & Company will be providing complimentary product support to each institution,” concludes Via.

With their self-titled first album released in 1974, KANSAS went on to become one of the decade’s most popular rock acts – issuing classic rock
albums such as 1976′s ‘Leftoverture’ and 1977′s ‘Point of Know Return,’ along with the hit singles “Carry on Wayward Son” and “Dust in the Wind”, and “Point of Know Return.” The band – which in addition to Ehart, is comprised of singer/keyboardist Steve Walsh, guitarist Rich Williams, bassist Billy Greer, and violinist David Ragsdale – continue to tour in front of large and enthusiastic audiences and to this day remain a fixture on classic rock radio. Additionally, they have reached an entirely new audience through their unmistakable presence on the popular video games Guitar Hero and Rock
Band.

In closing, Ehart hints that the ‘KANSAS Collegiate Symphony Tour’ may point to the band’s future. “This is going so well that other schools are
contacting us for 2011 and 2012. City orchestras are even calling us about doing the same for them. KANSAS has always been a symphonic rock
band; we may have found a whole new niche!”

FOR MORE INFORMATION ON THE BAND AND THEIR TOUR, VISIT:
www.kansasband.com
www.daddarioinc.com

FOR TICKET INFORMATION:

http://music.ua.edu/calendar-of-events/

Category: News